Thursday, 13 June 2013

Essay-in-lieu-of-examination


Question 2

‘But what’s happening today – the mass ability to communicate with each other, without having to go through a traditional intermediary – is truly transformative.’ How is the diminution of traditional, and often hierarchical, ‘authoritative’ intermediaries changing the role of publishing in social life? You should choose one broad area of publishing.

The role of traditional publishing, in the dissemination of information has undergone a major shift with the introduction of social media.

Social media has rapidly gained in popularity over the past few years as public reliance in traditional media has diminished. Social media is the latest innovative mode of publishing, reinventing the way people communicate.

Alan Rusbridger states that “the mass ability to communicate with each other, without having to go through traditional intermediary – is truly transformative.” The introduction of social media in particular has transformed the role of traditional publishing today. Social media outlets such as; Twitter, Facebook, Vine, Skype, Instagram and YouTube are digital platforms enabling superior two-way communication and creating a wider activist audience.  

The public sphere is fuelled by publication. It allows the free flow of information and freedom of speech, which has been enhanced, with the expansion of reach with digitisation, which has enabled greater accessibility and efficiency. The online world has broken down geographical barriers and transformed audience capabilities. Social media allows users instantaneous approval and or disapproval, utilising functions such as ‘like,’ ‘comment,’ ‘share’ and follow, increasing ‘talk’ and public opinion. This technological advancement is challenging once established hierarchical social order and created media panics by changing the concepts and forms of power. The fact that the Internet enables expansive publishing, traditional authoritative methods of publishing are diminishing in popularity and impact.  Social media goes beyond local and national scale as online information is easily accessible and inexpensive and can be viewed on the go, i.e. via mobile, iPad, and laptop enabling the user access whenever they need it.

Harold Innis (1950) believed that social change was as a result of the development of communication media empires (cultures) and that each medium represents a preference with regards to control and organisation of information. Empires are concerned with time or space. “Innis sees a dialectical relationship between society and technology: they influence one another mutually. According to this view, certain social forms and situations encourage the development of new media; these media, operating within existing situations, react back on society to produce a new cycle of change.” (Soules, 2007) Modern empires are unique in the way that they have the ability to extend beyond both time and space a factor that ensures its longevity. This builds archives, the power for users to check ‘history,’ a tool used as a basis for individual and or collective memory.

Social media is a form of convergence between old and new; media convergence brings together computing, communications and content. Meikle observes that convergence can be understood in four dimensions:
Technological—the combination of computing, communications and content around networked digital media platforms;
Industrial—the engagement of established media institutions in the digital media space, and the rise of digitally based companies such as Google, Apple, Microsoft and others as significant media content providers;
Social—the rise of social network media such as Facebook, Twitter and YouTube, and the growth of user-created content; and
Textual—the re-use and remixing of media into what has been termed a ‘transmedia’ model, where stories and media content (for example, sounds, images, written text) are dispersed across multiple media platforms. (Meikle, 2011) New media is the collection and reinvention of what once was, the online world has expanded traditional methods for example, the introduction of online newspapers, boosting viewership as this format is easier. 

The Australian Communications and Media Authority identifies a key consequence of convergence for consumers has created a substantial increase in “the availability of media content online—from broadcasters, news organisations, social media sites, iTunes and YouTube – on an increasing array of connected devices and screens. The choice of devices for accessing the Internet and 3G and wireless broadband networks is also giving users flexibility in how and where they consume media.” (ACMA, 2011) An important shift in the media associated with convergence is the rise of user-created content, and a shift in the nature of media users from audiences to participants, generating interactivity, competition and interconnectivity. Facebook for example, is utilised by global audiences, allowing communication to extend beyond location boundaries with messenger, and video messenger. Users are also able to post photos and videos as well as share their music with friends.  “The ability to "friend" people around the world and communicate with them, on a person to person level, without politics and all the divisive issues always in the way is incredibly "transformative." It opens up new possibilities in human consciousness, for understanding and cooperation, toward peace and the resolution of our many problems, at a time when we all need desperately to move together up the evolutionary chain of the species.” (Rusbridger, 2010) Rusbridger is highlighting the fact that digital communication is creating our new world, we are moving with the times by moving across the mediascape, traditional forms are changing and that is inevitable, our purpose is to discover the unknown.
The online network society has become dynamic and complex, social media has generated its own node linking together numerous networks. The Internet has enabled users to engage with the publics we imagine, reassembling our social engagements. We create new relationships between content and experience by individualising content and controlling how and when it is consumed. As a user, you have the ability to determine when and where to log onto Facebook or Twitter by creating ‘my filter’ and ‘feed’ - tailoring the navigation through the mediascape and therefore niche‘ing’ ourselves by developing an aggregation of personalisation.

New media is converting culture into data for publication; nowadays we are documenting any event and emotion and letting everyone into our world.  What is appealing is that online we have the ability to archive our memories and experiences. For example creating a Youtube channel, people all over the world can subscribe and watch you, and keep up to date with your life. More specifically ‘vlogging’ i.e. video blogging, a popular form of blogging, is a means of documenting your day and then posting it onto Youtube for ‘like’s and ‘comments.’ This digital culture whereby you archive your experiences enables the user to create your own digital diary.
“I think that the rise of the social web, just like writing, the printing press, and the invention of money, is not really about the end of what came before, but instead is the starting point for what comes next: richer and more complex societies. These technologies are a bridge we use to cross over into something new, not a wrecking ball tearing down the old.”(Boyd)
On the other hand, by making things public can have huge social impacts, “In the name of progress our official culture is striving to force the new media to do the work of the old.” (McLuhan and Fiore, 1967: 81) In new media, we question credibility and reliability. When we have the freedom to comment and share whatever information we want. Regulation is inevitably difficult; therefore screening unwanted information would be a challenge. The hidden structures that seem to control our world, where we build and rebuild, in other words archive fever, exemplifies the problems of technological change and culture.  All of this publishing is reproduced and redistributed; consequently we are often loosing the ‘special’ and ‘original,’ as well as the truth. There will also be elements of bias and prejudice; therefore users must make the decision whether or not they subject themselves to unnecessary content. Social media information is unmediated, and can lead to anti-social behaviours such as cyber-bullying and the threat of sexual predators.

As with any new technology, social media has inevitably attracted criticism; as it has reduced face-to-face contact. Nowadays for example we are choosing to text instead of call, shop online instead of physically going into stores, and reading newspapers online instead of buying the hard copy – everything is being made easier and ultimately encouraging laziness? “Mass media news outlets are struggling with changing gate-keeping standards due to demands for interactive content produced by audiences themselves. Ordinary citizens are empowered to report on their political experiences while being held to high standards of information quality and community values. In the long run, these tendencies may be the most revolutionary aspects of the new media environment.” (Bennett, 2003)

Comparing traditional often-hierarchical forms of publishing with new media highlights a number of areas “Mainstream mass media are typically highly centralized, require significant investment and resources and can be heavily influenced by governments through various mechanisms and forms of control.” (Banerjee, 2008) Traditional media, for example newspapers, are produced by individuals with qualification and industry experience in that area.  News stories are selected, and edited to represent a particular version of a story. Once that article is published or aired it cannot be changed or edited; the power remains with the owner of the media outlet either government or private company. In contrast, “The new or alternative media on the other hand have radically different characteristics. The new media such as the Internet can be used for both points to mass communications as well as point-to-point and mass to point message distribution. They are also extremely de-centralized, require very low investment, provide greater interactivity and public participation and are much more difficult to control.“ (Banerjee, 2008) Social media is a shared public platform therefore anyone can contribute. It is an organic platform that can be added to and or modified. We utilise social media for communication, as well as our source of news and current events. Twitter for example is made up of numerous ‘tweets,’ posts that describe individual’s experiences as well as breaking news, photos and videos. Users have the ability to ‘retweet,’ ‘favourite’ and comment – creating an endless discussion and flow of information. “The fact that we are increasingly living in an era of media convergence, distinctions among traditional mainstream mass media and the new media such as the Internet are getting more and more blurred.” (Banerjee, 2008)

Traditional forms of media have set the foundation for technological advancement. Social media is the new inexpensive and easily accessed form of the old. Digital communication should be utilised for its simplicity and far-reaching interaction. New media is the future and it encompasses social change, as people want to experiment and challenge pre-conceived ideas and the rigid boundaries of traditional hierarchical modes of publishing.  











  
References:

G Meikle and S Young, Media Convergence: Networked Digital Media in Everyday Life (2011).

Australian Communications and Media Authority, Digital Australians—Expectations About Media Content in a Converging Media Environment: Qualitative and Quantitative Research Report (2011), 7.



Dr. Marshall Soules, Malaspina University-College, 2007 http://www.media-studies.ca/articles/innis.htm

Innis, Harold Adams. The Bias of Communication. 1951. Intro. Marshall McLuhan. Toronto: Univerity of Toronto Press, 1964.


Banerjee, I. 2008. “The Impact of New Media on Traditional Mainstream Mass Media – A Critical Assessment.” A Series of Lectures on Trends & Future of the Malaysian Mass Media. Presented at Dewan Tunku Canselor, University of Malaya Kuala Lumpur.

Bennett, W. L. 2003. “New Media Power: The Internet and Global Activism.” Pp. 17-37 in Contesting Media Power: Alternative Media Power in a Networked World, edited by N. Couldry & J. Curran. Lanham, MD: Rowman and Littlefield.
Brydon, D. 2011. “Transnational Literacies: Redefining Knowledge Mobility for the
DigitalAge.” Literary Migrations. Accessed 12th June 2013

Saturday, 1 June 2013

Aggregation is experience not content


Show and Tell your favourite example of Publishing - iTunes

What is it background? What are the impacts? What 'data' does it publish? 

iTunes is a media player and media library application developed by Apple Inc. It is used to play, download and organise audio and video. iTunes publishes song/album, movie/TV data frequently.

How is this placed within what Paul Edwards calls 'infrastructural globalism'? What are the dynamics involved?

Top Charts for single/album etc. are compiled by a 'technical system,' tallying downloads and views refreshed daily. iTunes runs nationally - putting 'your' news within your computers iTunes Store.

How do you get from local to the global and back when it comes to data, its many forms of content and expression, the archives involved and the process of distribution?

To look at global music charts you have to search Top 100 for example, because iTunes on your computer displays charts on a national level. Archives of songs are available when searched under artist and are ranked by popularity.

What kinds of 'data friction' are involved? How open is all this to manipulation or variation?

The question posed is how reliable is this information? The raw numbers on iTunes aren't available to the public so there is an element of scepticism as to whether the data on Top Song/Album is completely correct. The fact that this is an online software data friction is more likely to occur compared to traditional forms of media i.e. newspapers, with editing and revision denied once printed.



Infrastructural Globalism.... Data Friction

Paul N. Edwards "A Vast Machine" states that "without models, there are no data," meaning they cannot exist alone, past models will affect future data. Edwards believes that you cannot understand time and space without a series of data models.

His example, Climate Change as a Global Knowledge Infrastructure, is combining an issue with a system. Climate is the history of the weather over time, and the collecting of weather data from the past creates global data and data friction. The information generated can be modelling in order to explain, predict and visualise. 'Infrastructure,' has connotations of man-made, carefully constructed and measurable objects and when combined with 'global,' we have the building of systems of global thinking institutions like World Meteorological Organisation and the Intergovernmental Panel on Climate Change, creating models for data. The mass of data can cause data friction, the "difficulty of recovering contextual knowledge about old records," data is open to manipulation and variation, so a model is utilised, the data is compared and interpreted for slight discrepancies.



Key WORD: aggregation

Saturday, 25 May 2013

Philosophy/ Sociology of the Visual


"A big contemporary issue/ example is ubiquitous computing (pervasive computing, ambient intelligence): a post-desktop model of human-computer interaction in which information processing has been thoroughly integrated into everyday objects and activities." 

Technology has become multi-platformed and cross platformed, for example digitalising magazines and newspapers online has reduced the popularity of the traditional hard copies. This advancement means that everything is networked and organised online in a manner that is both easy and difficult to access.

The trouble with the increased size of these online networks is navigation when publishing meets ubiquity. The data combines and flows everywhere, geographies are broken down and instantaneous messages are dissolved to your computers or internet capable devices e.g. iPad, iPhone and iPod. You the consumer of information is bombarded with messages that may not have any relevance to you. So how can you screen the unwanted flow of words and images? Take the iPhone for example, capable of internet access and apps and a high-quality camera, this device can substitute your computer when we are mobile. Constant upgrades in software and notifications are viewed daily and increased time is spend looking at the screen, it in fact is a multi-platformed device. It is your personal, intimate television, camera and monitor. The iPhone has transformed digital publishing similar to other Apple products, with the ability to post photos, videos, statues and comments onto social media networks - cross platformed. It is metadata that facilitates these new modes of communication from device to device, from computer to device and so on. The identified public in these scenarios extends to both human and non-human objects and processes, which are constantly changing and evolving - our media life is fuelled by publishing. New relationships are formed between content and experience, enabling the ongoing assemblage of new publics, "These publics become a kind of shifting data/metadata that represents an imagined community with nevertheless real effects." 

McKenzie brings to the forefront the 'hacker,' in the online network "Hackers create the possibility of new things entering the world," the crakes within an online network enable hackers to re-interpret and re-use personal information. "We do not own what we produce - it owns us," this encapsulates that the information published online looses 'ownership' and that can be reinvented for good and bad. The unknown publics create different and unrelated means of your information. "The greatest hacks of our time may turn out to be forms of organising free collective expression, so that from this time on, abstraction serves the people, rather than the people serving the ruling class." McKenzie highlights that the new forms of our collective expression are as a result of publishing, if we didn't publish the ability to hack wouldn't be at the forefront of worry for online uses - it is to our own detriment. 


McKenzie Work 'A Hacker Manifesto- Abstraction' pg 102 - 105 





Key WORD: ubiquity

Saturday, 18 May 2013

The Visual, Perception, Politics

What can a visual do?

The assembling of public images requires the synthesising of many images, and the extraction of aspects of images according to filters (flesh tones, other colours etc). The image and public are broken down, fragmented, reconstituted, assembled and brought into real-time.Virilio states that "...the real action lies elsewhere, in the imminent nano-technological miniaturisation of integrated circuits that will promote the iconic insemination of 'consumer' information...with the grafting of visual interference."This highlights that these changes aren't seen and understood by the human eye, what we see is a distortion and a visualisation of something far more complex. The visualisation will transform the signal, and the meaning. The technology of merging these images diminishes impact and is skewing the truth. The social body is treating the visual similarly to written text with the ability to transform meaning and to reconfigure the reach. Virilio's 'consumer' brings our 'time' into examination,  the 21st Century advancements in technology create the need and want to create our own images/symbols/signs that are relevant and that align with the trends. This desire is the detriment to the truth, bringing past ideas to real-time is re-assembling the visual. 

Images can be considered signs. Images are motivate signs, in comparison to textual signs that are arbitrary. Images aren't coded as they capture reality, for example photographs capture a moment in time, and the compilation of images piece together the past. Textual signs assign 'to do's,' they are more specific and are context dependent with language and cultural influencing their meaning to individuals. Digital technology has transformed these boundaries.Virilio interestingly states that "...90 per cent of micro-electronic production is engaged in the manufacture of discrete components (scanners, sensors, detectors)...capable of instantaneously transmitting information on an individual's nerve function...mental imagery." The engagement between human and new innovation in technology is creating a new way of reading mental imagery-the vision machine, capable of changing what we see and going against the order of our memory - this is a dramatic technological intervention in social relations. 


Audio Visualisation




Blog WORD: social body

Paul Virilio 'Eye Lust' in Open Sky London: Verso: 89-102